Music Phenzes

People Who Are Addicted To Music

Brazilian Beat Uncovers The Roots-Powered Edge Of The Worldwide Brazilian Music Scene

brazil

 

 

 

 

 

 

 

 

by worldwire

Glittering break beats are at home with bouncing berimbaus while rolling Afro-Brazilian rhythms, retro samba soul and velvety bossa nova vocals mesh and groove organically. This is the unstoppable Brazilian Beat.

Selected from tens of thousands of songs collected by the pioneering label created to introduce new global music to broad audiences, Brazilian Beat chronicles the vibrant indie scene in Brazil and around the world. Musicians are taking samba, bossa nova, and MPB (Brazilian popular music) and deftly incorporating electronica, soul, funk, and just about every other music imaginable.

BrazilianBeat_coverSultry or upbeat, the tracks on this compilation of hip, rootsy artists aim to raise listeners’ moods and introduce even die-hard fans to a new crop of Brazilian music innovators. Featured alongside unsung icons such as samba soul master Marcos Valle are rising new stars like Tita Lima, daughter of the bassist from psychedelic hipster darlings Os Mutantes.

Brazilian music has bubbled into an indie scene-to-beat-all-indie scenes in underground clubs and on small labels from São Paulo to Rome. “You can go to Italy and find a hot bossa nova scene, and they have their own sound,” like Roman bossa band BungaLove’s “Minha Loucura,” explains Jacob Edgar, longtime head of A&R for Putumayo and passionate follower of the Brazilian music scene. “These retro sounds end up back in Brazil and shake things up.”

A diverse array of young musicians, such as Fino Colectivo, draw on Jorge Ben’s lush ’70s samba-soul sound—and transform it. It’s a realm of discovery, even for ardent followers of global music. “One of the exciting things we at Putumayo do is introduce artists to people who don’t know them,” says Dan Storper, head of Putumayo and avid musical traveler and collector. “It has to be upbeat and melodic, and it has to move us.”

“We’re probably the most voracious music listeners on the planet,” Edgar exclaims, “and we have an elaborate process of cataloguing the tens of thousands of tracks we hear. As we’re listening and traveling, we just keep hearing great music that seems to work together.”

This exhaustive, music-driven approach uncovered artists such as Michigan-born, Brazilian singer-songwriter Mônica da Silva or the Brazilian child-star turned pop diva Bruna Caram, whose carefree vocals dance over cool horns and sparkling keys on “Feriando Pessoul.” It unearthed the wonderfully gritty sounds of a long-unreleased super group session led by New York-based Brazilian saxophonist Leo Gandelman (Brazilian Groove Band’s “Bananiera”) and highlighted the earthy pleasures of Rio-based Rogê’s clavinet-flecked samba (“A Nega e O Malandra”).

“You can really hear the intersection between past and present in the music of Brazilian artists,” Storper reflects. “We didn’t make an effort to seek it out; this is what musicians are doing. They respect their traditional music but are adding new flavors with real passion.”

MPZ ROCZS

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Information

This entry was posted on June 10, 2013 by in NEWS, WORLD WIDE and tagged , , , .

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 1,427 other followers

MPZ Categories

Keep Track

June 2013
M T W T F S S
    Jul »
 12
3456789
10111213141516
17181920212223
24252627282930
%d bloggers like this: